The recreation of the original piano-style keyboard remote control allows you to play musical pitch offsets and blend in a second delay line by using new mixer controls for added stereo sound. This H910-EKD (Envelope/Keyboard/Delay) as it is known, allows the plug-in to be even more responsive to your sound. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback.Ī number of enhancements have been added to this release including Keyboard and Envelope pitch control modes, Output 2 Delay Group and a Mixer. Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. Simply put, nothing sounds quite like it.Ī powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. This time, let’s get into two more voice-altering methods: the talk box and vocal pitch correction.The H910 Harmonizer was the world’s first digital effects processor. In part one of this series, we looked at the history of speech synthesis and the vocoder. If there’s a way to change the timbre or character of our voices, we’re going to try it. As soon as early recording engineers figured out how to trick out the human voice, they did, affecting it with everything from reverb and echo to flange, phase, and even rotating organ speakers. This being said, we’re not above slathering our voices in effects or changing it to sound like a machine. And if there’s any frequency masking happening, you can bet any EQ carving is going to happen to the non-vocal sounds. You can pan the other instruments all you want but the voice needs to be front and centre. When using it in music, it’s almost always the main focus of a song.
Communication would be very limited without it, after all. As biological beings, it’s one of our most important assets. If there’s one thing people love, it’s the sound of the human voice.
In this second part of a two-part series, we further explore the history of vocal synthesis, this time looking at the talk box and vocal pitch correction.
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